A composer of ferocious dramatic instincts
— Alex Ross
2024/25 Season
I’m delighted to have been awarded a residency at the Helene Wurlitzer Foundation in Taos, New Mexico, USA. The residency will be for 10 weeks from June–August 2025. I’ll be there to start work on my next large-scale opera project, which has a tangential connection to Taos, NM. More information about the Helen Wurlitzer Foundation is here.
Answer Machine Tape, 1987, for piano and multimedia, will be performed on 18th October at the Transit Festival in Leuven, Belgium. It will be performed by Zubin Kanga, who commissioned the piece, at STUK in a late-night concert. More information and tickets here.
Answer Machine Tape, 1987 was made in collaboration with Zubin and programmer Simon Hendry, based on a concept developed in collaboration with Ted Huffman. It focuses on New York visual artist David Wojnarowicz and the turbulent period leading up to the death Peter Hujar, his close friend and fellow artist, from AIDS-related illness in 1987. The focal point of the work is Wojnarowicz’s answering machine tape from the days leading up to Hujar’s death, featuring calls from Hujar, other artists, friends and lovers. Using new sensor technology from the Augmented Instruments Lab, the piano is turned into a huge typewriter to transcribe, comment on and illuminate the messages. The result is, I hope, a poignant and intimate exploration of that period of the New York art scene, queer history and the AIDS crisis.
Photo by Robin Clewley, taken at a performance at HCMF, Huddersfield, 2022.
I’m delighted to have been awarded a residency at the Bogliasco Foundation near Genoa, Italy for one month in March/April 2025. I’ll be there to work on ideas for new pieces, doing some research and sketching out new material. More information about the Bogliasco Centre is here.
Staatstheater Mainz has just announced a new production of 4.48 Psychosis in the 2024/25 season. The production will be directed by Rahel Thiel and conducted by Samuel Hogarth. The premiere will be on 26th April 2025 in the small house. More details and tickets available here.
I’m delighted to announce our next opera, We Are The Lucky Ones.
The opera is commissioned by Dutch National Opera, and it will premiere at the Opera Forward Festival in Amsterdam on 14th March 2025. I am writing it with Ted Huffman and playwright Nina Segal. It will be my first opera with orchestra, conducted by Bassem Akiki. We have a stellar cast: Claron McFadden, Jacquelyn Stucker, Nina van Essen, Helena Rasker, Miles Mykkanen, Frederick Ballentine, Germán Olvera and Alex Rosen.
The press release says: “We Are The Lucky Ones tells the story of a generation. It is based on interviews with more than 70 people in Western Europe who were born in between 1940 and 1949. It is the story of people who started out life with little, who experienced ever-improving living standards and are now leaving behind a world where such growth is no longer sustainable. Their memories form a collective time capsule of the past eighty years, told as one continuous life story in music theatre form. Following individual experiences and societal changes over the decade, the opera raises crucial about the relationship between the private and the political, the impact of our choices and what truly matters in the end.”
Tickets will be available in August.