The Royal Opera production of 4.48 Psychosis will make its american debut in New York City on 5th January 2019, headlining the Prototype Festival. Prototype is North America’s largest promoter of new opera and music theatre, and their January showcase festival takes place in venues across the city during the first two weeks of January each year. 4.48 Psychosis will run for six performances at the Baruch Performing Arts Center in midtown, and will feature the cast from the Royal Opera company, who revived the opera in London earlier this year. Tickets for the performances will go on sale on 1st October, here.
Tag: News
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Riot Ensemble plays Illusions and Numbers 91–95
The Riot Ensemble is performing two pieces of mine, Illusions and Numbers 91–95, at Kings Place on Monday 17th September as part of the new ‘Luminate’ series.  It’s a semi-portrait concerto, with other composers Sarah Nemtsov, Lee Hyla and Helga Arias Parra also featured.  I’m really excited that the spoken part in Numbers 91–95 will be done by singer Sarah Dacey, from Juice Ensemble, whom I’ve known for a long while but not properly had the chance to work with.  I’ll be at the concert, and giving a short, free, pre-concert interview with Tim Rutherford-Johnson.
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Press images of 4.48 Psychosis / Royal Opera by Stephen Cummiskey
Some production images from the revival of the Royal Opera production of 4.48 Psychosis, May 2018. Directed by Ted Huffman, Design by Hannah Clark, Video by Pierre Martin, Light by D.M. Wood, Sound by Sound Intermedia. The performers featured in the photos are Gweneth-Ann Rand, Lucy Hall, Susanna Hurrell, Samantha Price, Rachael Lloyd and Lucy Schaufer, with the Chroma Ensemble conducted by Richard Baker. All images taken by Stephen Cummiskey © The Royal Opera. They can be used for press purposes with the appropriate credit.
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Outstanding reviews for the revival of 4.48 Psychosis
The recent performances of the Royal Opera production of 4.48 Psychosis have come to an end. We didn’t expect much press for a revival, of course, but the reviews there have been have been outstanding. The performances took place at the Lyric Theatre Hammersmith in April and May 2018. Here are some links to some of the reviews:
(photo: Stephen Cummiskey)
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‘Venables plays Bartók’ for BBC Proms
The BBC Proms announced their 2018 Festival a few weeks ago, including a new violin concerto that I’m writing for Pekka Kuusisto and the BBC Symphony Orchestra. The piece will be performed in the Proms on 17th August 2018, conducted by Sakari Oramo. It is kind of ‘radio music theatre’ with the violin as the main character, and the piece explores my own journey through learning the violin, to a moment when I met my teacher’s teacher, the hungarian violinist, teacher and refugee, Rudolf Botta. It is all framed round nine short Hungarian folk dances or miniatures, collected or composed by Bartók, hence the double credit of the piece: Venables/Bartók – Venables plays Bartók.
Tickets for the proms are available here.
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Semperoper announces 4.48 Psychose
4.48 Psychose will gets its premiere at Dresden’s Semperoper Zwei next year. This will be a new version of 4.48 Psychosis in German, based on the official translation of Sarah Kane’s play by Durs Grünbein. The premiere will take place on 26th April 2019, and there will be other events surrounding it, including a portrait concert of some of my chamber work. I’m excited to get working on the new score for the german version this summer – because of the tight knitting of text and music, about 40% of the opera needs to be re-scored. More information about the performances are here.
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British Composer Award for 4.48 Psychosis
Photo: Mark Allan On Wednesday night, I won the British Composer Award for Best Stage Work, for 4.48 Psychosis.  The awards, organised by BASCA and supported by the PRS for Music Foundation and BBC Radio 3, were held at the British Museum.  Other winners included two of my favourite composers, Andrew Hamilton and Rebecca Saunders.  This was the first time I had had a piece shortlisted for the awards.  The awards will be broadcast on BBC Radio 3 on 10th December in a special programme.
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Laura sings Olkahoma! at Manchester Opera Project
My ongoing collaboration with performer and composer Laura Bowler and director Patrick Eakin Young is being shown as a ‘work in progress’ at Manchester Opera Project on 27th July at Halle St Peter’s in Manchester. This project has been developed during two residency weeks at Snape Maltings courtesy of Aldeburgh Music, and it weaves together verbatim transcripts of the accounts of female rape survivors with other texts about rape culture and the patriarchy. It’s a difficult project and has been challenging for us to navigate, but we are making good progress. This showing will be about 20 minutes, and will be alongside other new monodramas by AilÃs NÃ RÃain and Michael Rose/Tom Jenks. We are really grateful to PRS for Music Foundation and Arts Council England for supporting this project.
Thursday July 27, 2017, 8.30pm at Halle St Peter’s, Ancoats, Manchester.
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Installation on Canal Street in Manchester International Festival
My collaboration with David Hoyle for Manchester International Festival played every hour of every day on Canal Street through the whole of MIF 2017 – a total of 204 plays! It was recorded with the brass of Manchester Camerata and David, and then made into a sound-art installation across seven speakers along the main strip of Canal Street in the heart of Manchester’s Gay Village. The piece was a tribute to the community, but also touched on themes of assimilation, military industrialisation and gender conformity. The installation was part of MIF’s Music for a Busy City, including other pieces by Olga Neuwirth, Matthew Herbert, Anna Meredith, Huang Ruo and Mohammed Fairouz.
The Irish webzine Buzz.ie said:
Philip Venables’ equally astonishing Canal Street installation also utilises the number of speakers to maximum effect. It is a riveting piece of hi-tech theatre driven by music that is at once menacing, mournful and rousing. Venables’ treatment of the utterly charming David Hoyle’s provocative part polemic, part poem had me rushing from speaker to speaker to try to take it all in.
Huge thanks to Manchester International Festival and Producer Tom Higham – a fantastic team to work with.
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Illusions at Hull City of Culture and Royal Festival Hall
In conversation with Sara Mohr-Pietsch at the Royal Festival Hall. Illusions, my collaboration with performance artist David Hoyle, was premiered in its new extended version at Hull 2017 City of Culture on 2nd July as part of the PRS Foundation New Music Biennial. Â The following week it was performed at the Southbank Centre – my Royal Festival Hall debut! Â The audience response was wonderful, and the press too. Â The Guardian said:
Philip Venables’ collaboration with performance artist David Hoyle, however, is astonishingly powerful, with Hoyle’s garishly made-up face delivering a rant about everything from elections and gender to sodomy and revolution, precisely edited to Venables’ score with its echoes of expressionist music theatre and Weimar cabaret. Scabrous, fierce, and sometimes very funny, it’s a perfect fusion of music and image.
The BBC covered the events, and the piece was broadcast along with an interview with me and Sara Mohr-Pietsch on 15th July on Hear and Now (albeit without the video component, of course). Â The broadcast can be heard here on iPlayer – my segment is from 1h42 onwards.
Illusions was recorded on 10th July in the studio for NMC , for my forthcoming album next year. Â Huge thanks to the London Sinfonietta, Richard Baker and Sound Intermedia for wonderful performances, and to the PRSF for their support.
Performance of Illusions at the Royal Festival Hall -
South Bank Sky Arts Award nomination
4.48 Psychosis has been shortlisted for the South Bank Sky Arts Award for Best Opera 2017.  The awards ceremony is on 9th July at the Savoy Hotel in London, and covers all art forms from opera, dance, classical music, theatre, literature, comedy, television, pop music film and visual arts. The awards will be presented by Melvyn Bragg.  The other shortlisted productions for the opera award are Glyndebourne Youth Opera for Nothing (David Bruce/Glyn Maxwell) and Opera North for their Ring Cycle. Fingers crossed!
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RPS Composition Award for 4.48 Psychosis
I’m delighted to announce that I won the Royal Philharmonic Society Prize for Large Scale Composition for 4.48 Psychosis.  The award ceremony took place at The Brewery Hotel in London, and was broadcast on BBC Radio 3.  The award was one of two composition awards (the other for chamber music, which went to Rebecca Saunders for Skin).  4.48 Psychosis was also nominated in the Best Opera category, which was awarded to Opera North for their Ring cycle.  So far two awards won out of four nominations…!
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Ricordi signs Philip Venables
I have just signed an exclusive publishing contract with Ricordi London / Universal Music.  They will publish some existing works such as 4.48 Psychosis, The Revenge of Miguel Cotto and numbers 76–80: tristan und isolde, and my future works for the next three years.  They have a fantastic team based at Universal Music in Berlin, and it’s a great honour to be joining an incredible roster of composers including Enno Poppe, Olga Neuwirth, Georg Friedrich Haas, Salvatore Sciarrino, Rolf Hind, Liza Lim… and Puccini.  It’s so great to be with a house that has such strengths in music theatre.  More information on Ricordi’s press release here.
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4.48 Psychosis shortlisted for two RPS Awards
4.48 Psychosis has been shortlisted in two categories for the Royal Philharmonic Society Awards 2017.  The opera was nominate for the Large-Scale Composition award and the Opera & Music Theatre award.  Both shortlists, and the rest of the nominees, are quite a formidable bunch, including Rebecca Saunders, Enno Poppe, Liza Lim, James Ehnes, Pierre Laurent-Aimard and Andrew Gourlay.  The announcement was made on BBC Radio 3, and the awards ceremony will be on 9th May.  Fingers crossed!
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Music for a Busy City, MIF2017
Manchester International Festival 2017 was launched today, including the Music for a Busy City.  This project takes six composers out of the concert hall and into the city of Manchester, making music for public spaces through which people pass every day.  I will be making a sound installation for the heart of the gay village, Canal Street, and it will feature the voice of performance artist David Hoyle.  The other artists are Matthew Herbert, Anna Meredith, Huang Ruo, Olga Neuwirth and Mohammed Fairouz.  Come along in the summer and check it out – all six installations around the city will be on loop every hour through the 3-week festival.
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Olivier Award nomination for 4.48 Psychosis
4.48 Psychosis has been nominated for an Olivier Award, in the category Best New Opera Production. Â Â The award ceremony is at the Royal Albert Hall on 9th April, and we are up against Akhnaten (ENO), Cosi Fan Tutte (ROH) and Lulu (ENO). Â Fingers crossed! Â More info about the nominations is here.
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Composers’ Fund Award
I’m delighted to announce that I have been awarded a grant from the Composers’ Fund, supported by the PRS for Music Foundation and the Esmée Fairbairn Foundation, if you want to know more of the foundation go to this website. This substantial award is to support research and development on compositional techniques with spoken word and music, particularly with an eye to developing my next large-scale music theatre piece, and the long-term development of my compositional practice. A huge thanks to both foundations for their support.
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British Composer Showcase, Porto
I’ll be taking part in the British Composers Showcase at the Casa da Musica in Porto from 20–22 January 2017. Â The event is organised by the British Council and will be attended by European new music promoters and funders, Karen Bradley (UK Secretary of State for Culture, Media and Sport), Kirsty Hayes (the UKÂ Ambassador to Portugal) and other guests. Â I’ll make a short presentation about my work and have the chance to talk about it to the guests.
There’ll also be an interesting panel discussion about music in the UK post Brexit, with Cathy Graham, Tom Service, Susanna Eastburn, Sir Nicholas Kenyon and Emmanuel Hondré. The weekend of concerts of British music that weekend also include Rebecca Saunders‘ new piece Skin, performed by Remix Ensemble and the fantastic Juliet Fraser.
I will be back at Casa da Musica in 2018 for the CONNECT project – a live interactive ‘gameshow’ piece with Remix Ensemble.